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	<title>martinturner.org.uk &#187; honourable</title>
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	<description>Stratford on Avon&#039;s Lib-Dem Parliamentary Candidate</description>
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		<title>In the nation&#8217;s interests</title>
		<link>http://martinturner.org.uk/2010/05/12/in-the-nations-interests/</link>
		<comments>http://martinturner.org.uk/2010/05/12/in-the-nations-interests/#comments</comments>
		<pubDate>Wed, 12 May 2010 07:41:37 +0000</pubDate>
		<dc:creator>Martin Turner</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[BNP]]></category>
		<category><![CDATA[Conservative]]></category>
		<category><![CDATA[David Cameron]]></category>
		<category><![CDATA[election]]></category>
		<category><![CDATA[expenses]]></category>
		<category><![CDATA[Gordon Brown]]></category>
		<category><![CDATA[honourable]]></category>
		<category><![CDATA[Labour]]></category>
		<category><![CDATA[leadership]]></category>
		<category><![CDATA[MP]]></category>
		<category><![CDATA[Nick Clegg]]></category>
		<category><![CDATA[press]]></category>
		<category><![CDATA[referendum]]></category>
		<category><![CDATA[Stratford]]></category>
		<category><![CDATA[trust]]></category>
		<category><![CDATA[Vince Cable]]></category>

		<guid isPermaLink="false">http://martinturner.org.uk/?p=853</guid>
		<description><![CDATA[Nick Clegg has done what to some was unthinkable and to others inevitable, by forming the first coalition in a generation. In truth, the collapse of the talks with Labour meant this was the only workable choice in the nation's interests.]]></description>
			<content:encoded><![CDATA[<p>I have received howls of protest over the last few days from Lib Dem members, people who voted Lib Dem but usually vote <a href="http://martinturner.org.uk/tag/labour/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Labour">Labour</a>, and people who have never voted Lib Dem and never intend to. Some have demanded that Nick  Clegg immediately fall into line behind Cameron and stop negotiating for &#8216;party advantage&#8217;. Some have insisted that for Clegg to co-ally would be a betrayal of all that is most sacred. Some have told me that talking to <a href="http://martinturner.org.uk/tag/labour/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Labour">Labour</a> was equivalent to state treachery, and Clegg can never be trusted again. By email, phone, Facebook, txt, tweet and even visits to my door, and, bizarrest of all, an email sent from Australia by someone I had never heard of directed to all Lib Dem candidates who contested the <a href="http://martinturner.org.uk/tag/election/" class="st_tag internal_tag" rel="tag" title="Posts tagged with election">election</a>, it&#8217;s been made clear to me that whatever <a href="http://martinturner.org.uk/tag/nick-clegg/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Nick Clegg">Nick Clegg</a> did, not everyone would be happy.</p>
<p>I have to confess I&#8217;ve struggled to get quite as emotionally caught up in this as some people. Those of us who stand for parliament do so with an underlying notion of public service. Of course we want our party to win. And there is always personal ambition: we want to be in there, making the decisions, with our fingers on the turning of the world. But nobody would go through the five weeks of gruelling punishment, preceded by four years of selection and campaigning, preceded in turn by how ever many years of becoming involved and going through a candidate approval process, unless there was more than simply the desire for our team to win.</p>
<p><a href="http://martinturner.org.uk/tag/nick-clegg/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Nick Clegg">Nick Clegg</a> was always honour-bound to make his decision in the nation&#8217;s best interests. Anything less would have simply ruled him unfit to be a party leader. </p>
<p>The only question was: what decision would be in the nation&#8217;s best interests?</p>
<p>I will put my cards on the table: after last year&#8217;s <a href="http://martinturner.org.uk/tag/expenses/" class="st_tag internal_tag" rel="tag" title="Posts tagged with expenses">expenses</a> debacle, and this year&#8217;s scandal over the Ashcroft million, electoral reform seems to me to be one of the nation&#8217;s most important and pressing concerns. The result of the General <a href="http://martinturner.org.uk/tag/election/" class="st_tag internal_tag" rel="tag" title="Posts tagged with election">Election</a> &#8212; no clear majority in parliament, nothing like a majority in the popular vote (Tories polled only 12% more than Lib Dems, lest we forget, but gained more than five times as many seats) &#8212; demonstrates very clearly that the public are not satisfied.</p>
<p>But, although pressing, electoral reform is not <em>the</em> most pressing concern. I do not accept the view of the scaremongerers that Britain is about to go the way of Greece. David Cameron has already had to eat his words that a hung parliament would spell economic disaster. But it is true that the economy is right at the top of the list of things that need to be fixed now, and fixed right.</p>
<p>A coalition with <a href="http://martinturner.org.uk/tag/labour/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Labour">Labour</a> was always a long-shot, and Clegg was right to honour his <a href="http://martinturner.org.uk/tag/election/" class="st_tag internal_tag" rel="tag" title="Posts tagged with election">election</a> pledge and talk first to the party with the most votes. But he was also right to at least attempt a deal with <a href="http://martinturner.org.uk/tag/labour/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Labour">Labour</a>. This was not treachery, as some of the Tory <a href="http://martinturner.org.uk/tag/press/" class="st_tag internal_tag" rel="tag" title="Posts tagged with press">press</a> and some of my own correspondents have suggested, but a necessary and entirely <a href="http://martinturner.org.uk/tag/honourable/" class="st_tag internal_tag" rel="tag" title="Posts tagged with honourable">honourable</a> step: Clegg was duty bound to explore both feasible possibilities as he decided for the United Kingdom who should be the next prime minister.</p>
<p>For the record, I think it would have been possible to do it. (I do not say that it would have necessarily been the best thing, but I do say that it would have been possible). Those who argued that this was undemocratic forget the very shaky ground on which they stand: <a href="http://martinturner.org.uk/tag/labour/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Labour">Labour</a> and the Lib Dems between them gained more than 50% of the popular vote, although, because of our misrepresentative system, this was not quite 50% of the seats in parliament. <a href="http://martinturner.org.uk/tag/labour/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Labour">Labour</a> certainly seemed ready to promise a much swifter, much surer route to electoral reform. And Gordon Brown nobly was willing to accept <a href="http://martinturner.org.uk/tag/nick-clegg/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Nick Clegg">Nick Clegg</a>&#8217;s other <a href="http://martinturner.org.uk/tag/election/" class="st_tag internal_tag" rel="tag" title="Posts tagged with election">election</a> promise &#8212; that, whatever happened, Brown would not continue as Prime Minister. </p>
<p>But it was <a href="http://martinturner.org.uk/tag/labour/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Labour">Labour</a> MPs themselves who made it quite clear that they had no real interest in staying in government. From the point that (then, still) government ministers went on the record in public stating this, the chances of a deal with <a href="http://martinturner.org.uk/tag/labour/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Labour">Labour</a> were over.</p>
<p>Many Lib Dem voters find the coalition with the Conservatives distasteful. I personally remained on good terms with all the candidates in the <a href="http://martinturner.org.uk/tag/stratford/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Stratford">Stratford</a> <a href="http://martinturner.org.uk/tag/election/" class="st_tag internal_tag" rel="tag" title="Posts tagged with election">election</a>, except for the <a href="http://martinturner.org.uk/tag/bnp/" class="st_tag internal_tag" rel="tag" title="Posts tagged with BNP">BNP</a> who never attended any of the debates and with whom I never spoke. But there have been instances where Tory attacks were brutal and unfounded. And we have endured the jeers and scorn of the Tory <a href="http://martinturner.org.uk/tag/press/" class="st_tag internal_tag" rel="tag" title="Posts tagged with press">press</a> barons for more than a generation.</p>
<p>It is certainly true that very few will have voted Lib Dem with the aim of putting David Cameron in government.</p>
<p>But <a href="http://martinturner.org.uk/tag/nick-clegg/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Nick Clegg">Nick Clegg</a> still had to put the nation&#8217;s interest ahead of his own. The choice between a <a href="http://martinturner.org.uk/tag/conservative/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Conservative">Conservative</a> minority government which would be almost certain to fall in recriminations within six months, in which time it would have made little real progress in tackling the economic crisis, and none at all in electoral reform, or a true Lib Dem Con coalition, was one that simply could not be made in any other way from the way it has been made.</p>
<p>The solution is not perfect. David Cameron could have divested himself of the lacklustre George Osborne. If having <a href="http://martinturner.org.uk/tag/vince-cable/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Vince Cable">Vince Cable</a> as chancellor was too much to swallow (though it would have pleased the nation, and the markets), Ken Clarke was waiting in the wings, the only member of Cameron&#8217;s team who had ever served in a senior role in a government. There could have been (and should have) a commitment to a referendum on true electoral reform, not merely the disproportional Alternative Vote (AV) system. If the Conservatives believe that the public has no appetite for electoral reform, then they should have agreed to a referendum on the real issue. If they were willing to accept a grudging compromise and no more, they should have offered a simple bill on AV as <a href="http://martinturner.org.uk/tag/labour/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Labour">Labour</a> did, and left it at that. The nation is to be put to the trouble and expense of a referendum without being allowed to vote on the real topic of discussion.</p>
<p>Nonetheless, the prospect of an autumn <a href="http://martinturner.org.uk/tag/election/" class="st_tag internal_tag" rel="tag" title="Posts tagged with election">election</a> has receded to the horizon. Cameron&#8217;s lightweight team will be strongly bolstered by 5 Lib Dem cabinet ministers, and a total of 20 Lib Dems across his ministries. </p>
<p>Lib Dem fortunes at the next <a href="http://martinturner.org.uk/tag/election/" class="st_tag internal_tag" rel="tag" title="Posts tagged with election">election</a> will almost certainly suffer, and there will equally certainly be a spate of recriminations and even member-resignations. And this is the true mark of <a href="http://martinturner.org.uk/tag/nick-clegg/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Nick Clegg">Nick Clegg</a>&#8217;s <a href="http://martinturner.org.uk/tag/leadership/" class="st_tag internal_tag" rel="tag" title="Posts tagged with leadership">leadership</a>: at personal cost, he has put the interests of the nation first.<br />
</p>

	<h4>Related posts</h4>
	<ul class="st-related-posts">
	<li><a href="http://martinturner.org.uk/2009/06/01/we-should-reform-now-but-we-cannot-transform-until-we-agree-what-politics-is-for/" title="We should reform now, but we cannot transform until we agree what politics is for (1 June 2009)">We should reform now, but we cannot transform until we agree what politics is for</a> (0)</li>
	<li><a href="http://martinturner.org.uk/2009/05/28/enough-of-the-talk-time-for-some-action/" title="Enough of the talk, time for some action (28 May 2009)">Enough of the talk, time for some action</a> (0)</li>
	<li><a href="http://martinturner.org.uk/2009/05/25/cameron-promises-every-kind-of-change-except-actual-change%e2%80%a6/" title="Cameron promises every kind of change except actual change… (25 May 2009)">Cameron promises every kind of change except actual change…</a> (0)</li>
	<li><a href="http://martinturner.org.uk/2010/02/10/wrong-answer-too-late/" title="Wrong answer too late. (10 February 2010)">Wrong answer too late.</a> (0)</li>
	<li><a href="http://martinturner.org.uk/2009/06/09/responding-to-the-bnp/" title="Responding to the BNP (9 June 2009)">Responding to the BNP</a> (0)</li>
</ul>

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		<title>The politics of hate</title>
		<link>http://martinturner.org.uk/2009/06/27/the-politics-of-hate/</link>
		<comments>http://martinturner.org.uk/2009/06/27/the-politics-of-hate/#comments</comments>
		<pubDate>Sat, 27 Jun 2009 10:25:58 +0000</pubDate>
		<dc:creator>Martin Turner</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[BNP]]></category>
		<category><![CDATA[Conservative]]></category>
		<category><![CDATA[election]]></category>
		<category><![CDATA[honourable]]></category>
		<category><![CDATA[justice]]></category>
		<category><![CDATA[Labour]]></category>
		<category><![CDATA[Liberal Democrat]]></category>
		<category><![CDATA[MP]]></category>
		<category><![CDATA[trafficking]]></category>
		<category><![CDATA[trust]]></category>

		<guid isPermaLink="false">http://www.martinturner.org.uk/?p=547</guid>
		<description><![CDATA[Do you hate the Tories? Or perhaps Labour? Or (heaven forfend) maybe even the Liberal Democrats? Or &#8212; deep down &#8212; did you breathe a secret sigh of relief at the rise of the BNP, as, now at last, there was someone you could legitimately hate without being diminished as a person by that hate? [...]]]></description>
			<content:encoded><![CDATA[<p>Do you hate the Tories? Or perhaps <a href="http://martinturner.org.uk/tag/labour/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Labour">Labour</a>? Or (heaven forfend) maybe even the Liberal Democrats? Or &#8212; deep down &#8212; did you breathe a secret sigh of relief at the rise of the <a href="http://martinturner.org.uk/tag/bnp/" class="st_tag internal_tag" rel="tag" title="Posts tagged with BNP">BNP</a>, as, now at last, there was someone you could legitimately hate without being diminished as a person by that hate?</p>
<p>When I was sixteen, I once told my (then) girlfriend &#8220;I really hate mods&#8221;. Mods, at that time, were not first year Oxford University exams, nor modifications to video games or other software, but were the fashion alternative to &#8216;rockers&#8217;. &#8220;Oh dear,&#8221; she said. &#8220;I don&#8217;t hate anyone&#8221;. We later split up, and while I, through many pathways and byways, became a politician, she successfully pursued her dream of being a diplomat. Of course, I didn&#8217;t remotely &#8216;hate&#8217; mods. I didn&#8217;t even really know what mods were, and it turned out later that some of my friends were mods. But, at the moment, it seemed to establish me more as a &#8216;rocker&#8217; if I said I hated them.</p>
<p>Many years later, I was having dinner with my ex-fiancée (not the same person as the former girlfriend) and another friend. I mentioned that I was going into politics, and, knowing that she was a skilled and passionate person, I asked if she would consider running my campaign. &#8220;Oh.&#8221; She said. &#8220;Which party?&#8221;. &#8220;The Liberal Democrats,&#8221; I replied. For a moment a shadow appeared to pass across the sun (which was impossible, because we were in a Chinese restaurant in Soho where the sun never came). All the Oxford-London fell from her voice, as she said in horror, with as deep a Rhondda valley accent as I&#8217;ve ever heard from her: &#8220;The LIBERALS?&#8221; She appeared to rise to her feet (though she has since assured me that she did not), as she said again, in a voice which seemed to fill the restaurant with centuries of astonished grief and hurt. &#8220;THE LIBERALS?&#8221; </p>
<p>She later confided in me that it wasn&#8217;t the Liberals she hated (we&#8217;re actually the Liberal-Democrats), but the Conservatives. She later went off and joined the <a href="http://martinturner.org.uk/tag/labour/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Labour">Labour</a> party, and became a <a href="http://martinturner.org.uk/tag/labour/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Labour">Labour</a> parliamentary and European candidate. We&#8217;re still friends, and, no, this was not why we split up, which was, in any case, ten years earlier. </p>
<p>Especially in politics, we use the word &#8216;hate&#8217; rather freely. But there are times when our distaste for our foes is really no more than &#8216;I hate Marmite&#8217;, and times when it is rather more. Ann Widdecombe famously said that she went into politics to fight socialism. ((She also, equally famously, appeared on Doctor Who in support of Simon Pegg&#8217;s John Saxon, aka The Master. If she had waited long enough, she could have joined Tony Blair&#8217;s New <a href="http://martinturner.org.uk/tag/labour/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Labour">Labour</a> to fight socialism.)) I always found this odd. If she had said &#8216;to fight communism&#8217; I could have understood it. But socialism? Really? I remember that hatred between the Socialist Workers Party and the National Front in the 70s. And, of course, the undisguised hatred of the National Front for anyone who did not look exactly like them. As Britain, we somehow learned during the 1970s that hate based on race, then known as &#8216;racialism&#8217;, but now known by the catchier term &#8216;racism&#8217;, was simply wrong. But, in 2001, it suddenly became fashionable and acceptable to hate one particular category of foreigner, the &#8216;bogus&#8217; asylum seeker. It didn&#8217;t take long for the term &#8216;bogus asylum seeker&#8217; to be melded in the popular conscious with, simply, &#8216;asylum seeker&#8217;, so that anyone who came to these shores fleeing persecution could look forward to disdain, disgust and derision from those they met. </p>
<p>It&#8217;s always easier to get people to do things if you can stir up strong passions. Hatred of the <a href="http://martinturner.org.uk/tag/bnp/" class="st_tag internal_tag" rel="tag" title="Posts tagged with BNP">BNP</a> will doubtless bring many people into politics over the next few years. But hate is a uniquely destructive attitude. It causes us to obsess over our enemies, to see conspiracy theories, to misinterpret innocence, to categorise other people into the hated group simply because they look or sound similar. Hate causes us to mistrust, to pre-judge and to misjudge. It develops double standards in ourselves, which become embedded in a persona of hypocrisy. It causes us to skew our own positions. When we hate, we lose sight first of truth, then of honesty, and, finally, as the rot really sets in, of plausibility. We see the entire world as a battle between what we hate and what we use against that which we hate. As times moves on, those who refuse to take sides garner even more of our malice than those who are the original object of our detestation.</p>
<p>Hatred twists the most normal, sensible people into a horrific parody of themselves. I&#8217;ve found things written about me on websites, or said about me in meetings, by people who have never met me, never heard me speak, and (possibly) never read a word I&#8217;ve written. And yet, simply because I belong to one party rather than another, they see me as fair game for whatever they choose to throw. But these same people are, in their ordinary lives, quiet, sensible, law-abiding, the kind of person you would be quite happy to see as a magistrate or a school-teacher, or (until you found out), your town councillor.</p>
<p>Not all politicians are like this. In fact, it seems to me that it is more often supporters of politicians rather than politicians themselves who pursue hatred as a vocation. After I first stood for public office &#8212; as a councillor, in a seat I couldn&#8217;t win, and didn&#8217;t want to if I did &#8212; the <a href="http://martinturner.org.uk/tag/labour/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Labour">Labour</a> councillor who did win came up to me and said &#8216;Well done lad&#8217;. After the 2001 General <a href="http://martinturner.org.uk/tag/election/" class="st_tag internal_tag" rel="tag" title="Posts tagged with election">Election</a>, the Tory <a href="http://martinturner.org.uk/tag/mp/" class="st_tag internal_tag" rel="tag" title="Posts tagged with MP">MP</a> who won the seat came up to me and told me that he thought it was highly likely I would become an <a href="http://martinturner.org.uk/tag/mp/" class="st_tag internal_tag" rel="tag" title="Posts tagged with MP">MP</a> sooner or later, and gave me some advice on my campaign. Not sneering, measly-mouthed advice, but sensible, valuable advice, which he had learned himself, and which I have taken to heart.</p>
<p>All politics is made up of temporary alliances of people who agree on some important things, and disagree on others. Part of the reason we are locked into a seemingly endless cycle of boom-and-bust electoral landslides in the UK is that our parties have become virtual armed-camps. The rhetoric of Prime Minister&#8217;s Question Time makes this quite apparent. You cannot pretend a man is the devil one day, and then plan with him how the country could be served and improved the next.</p>
<p>Whenever I talk about this, people start to be nervous. &#8220;If we cannot hate, should we just roll over and let our opponents have whatever they want&#8221;, they start to say. Of course not. But we need to rediscover our vocabulary. We can disagree, dispute, rebutt. We can dismantle a flawed policy, discredit a misleading piece of information, decry an unworthy attitude. At times we may denounce an opponent who has, for example, claimed for a mortgage that did not exist. Not hating barely has an impact on the range of means by which we can oppose. You can love and respect someone, and yet be quite clear they are entirely wrong. You can recognise the good in someone&#8217;s motives, and yet also recognise they are completely incompetent. And you should. The duty of opposition is to oppose. It is an <a href="http://martinturner.org.uk/tag/honourable/" class="st_tag internal_tag" rel="tag" title="Posts tagged with honourable">honourable</a> duty, and serves the public good. But no good is served by hating them ((that is, hating a person &#8212; it is entirely right to hate injustice, hate people <a href="http://martinturner.org.uk/tag/trafficking/" class="st_tag internal_tag" rel="tag" title="Posts tagged with trafficking">trafficking</a>, hate cancer, and so on)).</p>
<p>It is time to take the malice out of British politics.<br />
</p>
<p><a class="a2a_dd addtoany_share_save" href="http://www.addtoany.com/share_save">Share/Save</a> </p>
	<h4>Related posts</h4>
	<ul class="st-related-posts">
	<li><a href="http://martinturner.org.uk/2010/05/12/in-the-nations-interests/" title="In the nation&#8217;s interests (12 May 2010)">In the nation&#8217;s interests</a> (1)</li>
	<li><a href="http://martinturner.org.uk/2010/02/10/wrong-answer-too-late/" title="Wrong answer too late. (10 February 2010)">Wrong answer too late.</a> (0)</li>
	<li><a href="http://martinturner.org.uk/2005/11/05/which-david-they-choose-will-determine-the-campaign-we-fight/" title="Which David they choose will determine the campaign we fight (5 November 2005)">Which David they choose will determine the campaign we fight</a> (0)</li>
	<li><a href="http://martinturner.org.uk/2009/05/23/are-single-issue-parties-the-answer-not-exactly%e2%80%a6/" title="Are single issue parties the answer? Not exactly… (23 May 2009)">Are single issue parties the answer? Not exactly…</a> (0)</li>
	<li><a href="http://martinturner.org.uk/2008/03/06/tricky-moment-for-the-conscience-party/" title="Tricky moment for the conscience party (6 March 2008)">Tricky moment for the conscience party</a> (0)</li>
</ul>

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		<title>Gurkha victory is a victory for us all</title>
		<link>http://martinturner.org.uk/2009/05/21/gurkha-victory-is-a-victory-for-us-all/</link>
		<comments>http://martinturner.org.uk/2009/05/21/gurkha-victory-is-a-victory-for-us-all/#comments</comments>
		<pubDate>Thu, 21 May 2009 13:10:24 +0000</pubDate>
		<dc:creator>Martin Turner</dc:creator>
				<category><![CDATA[Westminster]]></category>
		<category><![CDATA[Gurkha]]></category>
		<category><![CDATA[honourable]]></category>
		<category><![CDATA[MP]]></category>

		<guid isPermaLink="false">http://www.martinturner.org.uk/2009/05/21/gurkha-victory-is-a-victory-for-us-all/</guid>
		<description><![CDATA[Today&#8217;s victory for the Gurkhas is a victory against the long tide of narrow nationalism which has beset Britain for more than twenty years. It is a simple matter of honour that men who have risked their lives for this country should be allowed to settle here. The argument against &#8212; the only argument, though [...]]]></description>
			<content:encoded><![CDATA[<p>Today&#8217;s victory for the Gurkhas is a victory against the long tide of narrow nationalism which has beset Britain for more than twenty years. It is a simple matter of honour that men who have risked their lives for this country should be allowed to settle here. The argument against &#8212; the only argument, though never a good one &#8212; was that giving rights to Gurkhas would run against perceived public opposition to granting residence in Britain to anyone at all who was not born here. </p>
<p>A government of principle should have given these rights whether or not they were popular simply because they were right. But now the government has been forced to see that the public does care about rewarding <a href="http://martinturner.org.uk/tag/honourable/" class="st_tag internal_tag" rel="tag" title="Posts tagged with honourable">honourable</a> service honourably. </p>
<p>Let us hope that &#8212; in these crisis stricken days &#8212; Great Britain will rediscover those values of honour for which it was once known the world over. Britain is great not by being an uncompromising fortress against the world, but by paying its debts. </p>
<p><a href="http://martinturner.org.uk/politics/wp-content/uploads/2009/05/l-1600-1200-c3505312-93f9-4a61-9561-264d68d2146d.jpeg"><img src="http://martinturner.org.uk/politics/wp-content/uploads/2009/05/l-1600-1200-c3505312-93f9-4a61-9561-264d68d2146d.jpeg" alt="" width="300" height="225" class="alignnone size-full wp-image-364" /></a></p>

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	<li><a href="http://martinturner.org.uk/2009/05/11/three-lines-we-should-all-reject/" title="Three li(n)es we should all reject (11 May 2009)">Three li(n)es we should all reject</a> (0)</li>
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		<title>Michael Martin shows remarkable honour</title>
		<link>http://martinturner.org.uk/2009/05/19/michael-martin-shows-remarkable-honour/</link>
		<comments>http://martinturner.org.uk/2009/05/19/michael-martin-shows-remarkable-honour/#comments</comments>
		<pubDate>Tue, 19 May 2009 18:33:17 +0000</pubDate>
		<dc:creator>Martin Turner</dc:creator>
				<category><![CDATA[Westminster]]></category>
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		<guid isPermaLink="false">http://www.martinturner.org.uk/2009/05/19/michael-martin-shows-remarkable-honour/</guid>
		<description><![CDATA[One day after MPs called for him to go, Michael Martin made history by announcing his resignation. In doing so, he has surprised many people, including myself, and he has shown a remarkable level of honour and perception. Michael Martin could easily have clung on. By common agreement, the major parties never put up candidates [...]]]></description>
			<content:encoded><![CDATA[<p>One day after MPs called for him to go, Michael Martin made history by announcing his resignation. In doing so, he has surprised many people, including myself, and he has shown a remarkable level of honour and perception.</p>
<p>Michael Martin could easily have clung on. By common agreement, the major parties never put up candidates to contest the Speaker&#8217;s seat, so he could have carried on drawing his <a href="http://martinturner.org.uk/tag/mp/" class="st_tag internal_tag" rel="tag" title="Posts tagged with MP">MP</a>&#8217;s salary and <a href="http://martinturner.org.uk/tag/expenses/" class="st_tag internal_tag" rel="tag" title="Posts tagged with expenses">expenses</a> long after the last of his critics had fallen by the way side. Instead, he has chosen to begin to turn the tide of public <a href="http://martinturner.org.uk/tag/trust/" class="st_tag internal_tag" rel="tag" title="Posts tagged with trust">trust</a>. Martin is not Poseidon, and does not rule the waves. But neither is he Canute. His example will put pressure on other MPs to face reality and either announce that they are standing down at the <a href="http://martinturner.org.uk/tag/election/" class="st_tag internal_tag" rel="tag" title="Posts tagged with election">election</a> &#8212; as Douglas Hogg has done &#8212; or stand down right away, as some surely should do.</p>
<p>As I said right at the beginning of this crisis, as long as MPs pretend that all are equally guilty, the question of <a href="http://martinturner.org.uk/tag/trust/" class="st_tag internal_tag" rel="tag" title="Posts tagged with trust">trust</a> cannot be resolved. Some MPs have done nothing wrong. Even if they claimed for <a href="http://martinturner.org.uk/tag/expenses/" class="st_tag internal_tag" rel="tag" title="Posts tagged with expenses">expenses</a> that the public might not like, they did so entirely within the rules and without any profit to themselves. Some of them have been ridiculed or lambasted in the <a href="http://martinturner.org.uk/tag/press/" class="st_tag internal_tag" rel="tag" title="Posts tagged with press">press</a>. This is simply unfair and wrong. Instead of calling &#8216;shame on you&#8217;, we, the public, should perhaps be saying &#8216;shame on us&#8217;. But other MPs have clearly played the system to leave them with money in their pockets at the end of the day. Even if this was within the rules, it is clearly wrong. The point of <a href="http://martinturner.org.uk/tag/expenses/" class="st_tag internal_tag" rel="tag" title="Posts tagged with expenses">expenses</a> is that they reimburse, not that they enrich. Some MPs who will coincidentally become richer as a result of the way property prices have changed have announced that they will return any profits to the taxpayer. This is <a href="http://martinturner.org.uk/tag/honourable/" class="st_tag internal_tag" rel="tag" title="Posts tagged with honourable">honourable</a>. But those who &#8216;flipped&#8217; their second homes, or bought dilapidated properties, did them up at the taxpayer&#8217;s expense, and then sold them on at a profit, must not be allowed to get away with simply paying the money back. Even if it was within the letter of the rules, they knew that what they were doing was far, far removed from anything that could be justified to the electorate. They should never have been able to justify it to their own consciences. And there have been MPs who have engaged in behaviour which bears all the hallmarks of fraud against the taxpayer.</p>
<p>Just as Michael Martin has taken the <a href="http://martinturner.org.uk/tag/honourable/" class="st_tag internal_tag" rel="tag" title="Posts tagged with honourable">honourable</a> route and left, MPs who have played the system, or who have claimed dishonestly, should resign their seats now. Just as MPs seemed unanimous in calling for the Speaker to go, they should now &#8212; if they have done such things &#8212; be willing to go themselves.</p>
<p>MPs who have claimed extravagantly &#8212; for swimming pools, tennis courts, moats, and so-on, need to examine themselves. Douglas Hogg is at one end of the scale &#8212; whether or not his claim was within the rules, the ownership of a moat is an extravagance that the public should never have been required to fund. At the other extreme are MPs who have simply bought needed items at a higher price than most of us would be willing to pay. Who should decide their fate? The answer, of course, is the electorate. Those who recognise that they really cannot justify their actions can take Hogg&#8217;s route. Those who believe that they can will have the opportunity to do so at the General <a href="http://martinturner.org.uk/tag/election/" class="st_tag internal_tag" rel="tag" title="Posts tagged with election">Election</a>.</p>
<p>But before we have a General <a href="http://martinturner.org.uk/tag/election/" class="st_tag internal_tag" rel="tag" title="Posts tagged with election">Election</a>, I believe firmly that we should have a Special <a href="http://martinturner.org.uk/tag/election/" class="st_tag internal_tag" rel="tag" title="Posts tagged with election">Election</a> &#8212; a single day on which all of the by-elections triggered by MPs taking the <a href="http://martinturner.org.uk/tag/honourable/" class="st_tag internal_tag" rel="tag" title="Posts tagged with honourable">honourable</a> route &#8212; the Michael Martin route &#8212; and resigning their seats are fought. Contesting all of these on one day would be cathartic for Britain. In my view, it is a necessary and essential step in the process of restoring the public <a href="http://martinturner.org.uk/tag/trust/" class="st_tag internal_tag" rel="tag" title="Posts tagged with trust">trust</a> without which there is simply no <a href="http://martinturner.org.uk/tag/democracy/" class="st_tag internal_tag" rel="tag" title="Posts tagged with democracy">democracy</a>, only a kleptocracy &#8212; government by thieves.<br />
</p>
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		<title>Three li(n)es we should all reject</title>
		<link>http://martinturner.org.uk/2009/05/11/three-lines-we-should-all-reject/</link>
		<comments>http://martinturner.org.uk/2009/05/11/three-lines-we-should-all-reject/#comments</comments>
		<pubDate>Mon, 11 May 2009 20:54:19 +0000</pubDate>
		<dc:creator>Martin Turner</dc:creator>
				<category><![CDATA[Westminster]]></category>
		<category><![CDATA[confidence]]></category>
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		<guid isPermaLink="false">http://www.martinturner.org.uk/?p=236</guid>
		<description><![CDATA[&#8220;It&#8217;s the system which made us do it&#8221; &#8220;All are guilty so none should be punished&#8221; &#8220;We need to respond more to the public mood — that&#8217;s what this crisis is about&#8221; There are three things which, if I hear them trotted out just one more time, are going to make me scream. MP after [...]]]></description>
			<content:encoded><![CDATA[<p>&#8220;<strong>It&#8217;s the system which made us do it</strong>&#8221;<br />
&#8220;<strong>All are guilty so none should be punished</strong>&#8221;<br />
&#8220;<strong>We need to respond more to the public mood — that&#8217;s what this crisis is about</strong>&#8221;</p>
<p>There are three things which, if I hear them trotted out just one more time, are going to make me scream. <a href="http://martinturner.org.uk/tag/mp/" class="st_tag internal_tag" rel="tag" title="Posts tagged with MP">MP</a> after <a href="http://martinturner.org.uk/tag/mp/" class="st_tag internal_tag" rel="tag" title="Posts tagged with MP">MP</a> (though not all MPs, but more on that in a moment) have been lining up to put forward the same three messages which — lets face it — have little connection with the actual truth.</p>
<p>First, and I&#8217;ve talked about this before, &#8220;It&#8217;s the system which made us do it&#8221;. I can&#8217;t understand how anyone intelligent enough to be elected to parliament can also believe that all the rest of us are too dim to see straight through this one. The Sun has characterised this as very close to &#8216;we were only following orders&#8217;. But, actually, it&#8217;s worse. Nobody ordered MPs to play the system for their own profit. Nobody told them that their careers would be blighted if they didn&#8217;t play along with the rest. No matter how badly the <a href="http://martinturner.org.uk/tag/expenses/" class="st_tag internal_tag" rel="tag" title="Posts tagged with expenses">expenses</a> system was constructed (and it, or an earlier version, has been in place long enough before it fell into such disrepute), an honest parliamentarian could behave entirely honestly within the system. I&#8217;m going to raise the example of Jack Straw again. I&#8217;m doing this because he is not a member of my party, and therefore I can have no advantage in holding him up. Straw made a mistake with his <a href="http://martinturner.org.uk/tag/expenses/" class="st_tag internal_tag" rel="tag" title="Posts tagged with expenses">expenses</a>, discovered it himself, and paid the money back himself. True, the system did not prevent Straw from getting it wrong. But it also did not prevent him from putting it right. I fully believe that, once all the facts are out, it will turn out that there are many other genuinely <a href="http://martinturner.org.uk/tag/honourable/" class="st_tag internal_tag" rel="tag" title="Posts tagged with honourable">honourable</a> members who have also behaved entirely correctly, no matter what the system did.</p>
<p>And that brings me to the second line. MPs are lining up to say that &#8216;all of us are guilty&#8217;. This might sound extremely altruistic — a sort of &#8216;I am Spartacus&#8217; moment. But, in truth, this is a trick that small children learn in school. If everyone says &#8216;we all did it&#8217;, then nobody gets punished particularly harshly. Or at all. But it is palpably untrue. There are already evidently MPs who did not play the system, did not make a profit, and did not make claims for ridiculous items. Then there are MPs who made claims which are, quite frankly, comic. How many Tory MPs does it take to change a lightbulb? But, no-one is suggesting that the <a href="http://martinturner.org.uk/tag/mp/" class="st_tag internal_tag" rel="tag" title="Posts tagged with MP">MP</a> in question was selling off lightbulbs down Camden market at the public expense. The MPs that claimed for things which benefited themselves rather more than the public should be censured. Their constituents should know what was going on. But the electorate can judge them. Then, it appears — and I would be the first to want to give these MPs a chance to defend themselves — that there have been MPs gaming the system, or even breaking the law, to make a personal profit at the public expense. In my view — but I believe it is shared by many — in my view, these MPs should simply resign. They should not resign and re-stand for by-elections. They should simply go, and not come back. And they should do it soon. That, and that alone, will restore any measure of public confidence.</p>
<p>It may seem a noble gesture for MPs to stand together and say they were all equally guilty. But all this does is to protect the truly guilty. As a nation, we deserve better. </p>
<p>And, finally, MPs are trotting out a line about failing to grasp the public mood. This is simply astonishing. Th public mood is exactly not the issue. The public mood right now is angry because (at least some) MPs have been deceiving us in secret for years. But would the crisis genuinely be less serious if the public were pre-occupied with, say, a health crisis, or the recession? Of course not. The crisis exists because of lies and dishonesty. The crisis is not out here in the nation, but there, in Westminster. Something is rotten in the state of Britain. </p>
<p>The public are angry, and they are right to be angry. But it would not make things right if the public suddenly lost interest and forgot about it. If MPs genuinely cannot see that the problem is not with &#8216;presentation&#8217; or &#8216;sensing the public mood&#8217;, but with claims and actions which should never have taken place, then they lack the most basic judgement of statesmen and women. Some things are wrong, whether anyone notices them or not. And this is one of them.</p>
<p>As at the time of <a href="http://martinturner.org.uk/tag/writing/" class="st_tag internal_tag" rel="tag" title="Posts tagged with writing">writing</a>, Lib-Dem MPs have not been implicated in any of this. I sincerely hope that none will be. But even if they are, I would make the same call: MPs who are found to have exploited the system for profit, in the buying and selling of goods, or the acquiring of monies to which they are not entitled, should go, and they should go now. This is not a call for a General <a href="http://martinturner.org.uk/tag/election/" class="st_tag internal_tag" rel="tag" title="Posts tagged with election">Election</a>, but rather a Special <a href="http://martinturner.org.uk/tag/election/" class="st_tag internal_tag" rel="tag" title="Posts tagged with election">Election</a>: even if half the House has to step down, it should.  </p>
<p>As far as I&#8217;m concerned, MPs who have made daft, ill-considered or farcical claims can stay. They will face their electorates in due time. But those who have defrauded us cannot stay. My sincere hope is that, when the dust has settled, this group will be few. But few, or many, parliament is no place for them.<br />
</p>
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		<title>Why Caroline Spelman deserves a fairer hearing</title>
		<link>http://martinturner.org.uk/2008/06/08/why-caroline-spelman-deserves-a-fairer-hearing/</link>
		<comments>http://martinturner.org.uk/2008/06/08/why-caroline-spelman-deserves-a-fairer-hearing/#comments</comments>
		<pubDate>Sun, 08 Jun 2008 08:43:07 +0000</pubDate>
		<dc:creator>Martin Turner</dc:creator>
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		<guid isPermaLink="false">http://www.martinturner.org.uk/?p=154</guid>
		<description><![CDATA[BBC &#124; How damaging is the Spelman saga?. The story in brief for those who haven&#8217;t been following it: with the Conservative party rocked by a series of scandals over expenses, beginning with Derek Conway and culminating (at least so far) in the resignation of the party leader in Europe, Caroline Spelman, the party chair [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://news.bbc.co.uk/1/hi/uk_politics/7441933.stm">BBC | How damaging is the Spelman saga?</a>. The story in brief for those who haven&#8217;t been following it: with the <a href="http://martinturner.org.uk/tag/conservative/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Conservative">Conservative</a> party rocked by a series of scandals over <a href="http://martinturner.org.uk/tag/expenses/" class="st_tag internal_tag" rel="tag" title="Posts tagged with expenses">expenses</a>, beginning with Derek Conway and culminating (at least so far) in the resignation of the party leader in Europe, Caroline Spelman, the party chair who has been calling MPs to account, has herself come under the spotlight for (allegedly) paying her nanny out of constituency <a href="http://martinturner.org.uk/tag/expenses/" class="st_tag internal_tag" rel="tag" title="Posts tagged with expenses">expenses</a>.</p>
<p>On the surface of it, this sounds like the classic story of political hubris: public pressure forces a politician to champion a moral cause, only for them to be found out as a culprit. It&#8217;s the old story that dogged John Major&#8217;s &#8216;Back to Basics&#8217; campaign, although Major himself wasn&#8217;t found out until years later, and, in any case, by &#8216;Back to Basics&#8217;, he really meant returning to <a href="http://martinturner.org.uk/tag/conservative/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Conservative">Conservative</a> economic basics, not basic moral values.</p>
<p>Far be it from me to defend the Conservatives, but on this occasion I need to come out and say that this story is not the simple one that it appears to be, and that Caroline Spelman deserves a fairer hearing, and a second chance.</p>
<p>We could talk about it being ten years ago, at a time when things were less clear cut, we could talk about the fact that it appears that the nanny genuinely did a bit of phone answering and message taking, and we could talk about the fact that Caroline Spelman was a new and inexperienced <a href="http://martinturner.org.uk/tag/mp/" class="st_tag internal_tag" rel="tag" title="Posts tagged with MP">MP</a>, who probably got some bad advice from someone. We could also point out that, if she hadn&#8217;t taken a stand to clean up the Tory party, nobody would even be talking about things that took place ten years ago. </p>
<p>I&#8217;m not convinced that any of those things stand up on their own, and I&#8217;m not convinced that, if they don&#8217;t stand up singly, that they have any value cumulatively.</p>
<p>However, there is one thing which puts this story in a completely different light from the Conway, Chichester and other scandals we have seen.</p>
<p>It is this: Caroline Spelman stopped what she was doing of her own accord. This is absolutely crucial, and none of the media commentators seem to have recognised its importance. Spelman was not threatened with blackmail to make her stop, she was not put under party discipline to make her stop, she did not receive angry letters from her constituents, or face tough questions from journalists, or a series of high profile media stories. She looked at what she was doing, decided that &#8212; whatever advice she had been given before, whatever anybody else was doing, and whatever the personal benefits of carrying on &#8212; it wasn&#8217;t right, and it wasn&#8217;t going to be part of her lifestyle as a politician.</p>
<p>Some would see this as an admission of guilt. In fact, it is an all too rare demonstration of moral purpose. </p>
<p>Whether Caroline Spelman knew what she was doing was wrong or not when she started doing it, she reached a point where she decided she should not be doing it, and stopped. Some people might say that this is all very well, and might let her off the hook technically, since it supports the claim that she was unaware she was breaching the rules, but still does not excuse her setting herself up to clean up the affairs of other Tory politicians. In fact, it is exactly the moral quality which someone needs who wishes to challenge others to follow her example: &#8220;if you become aware you are breaching the rules, stop&#8221;.</p>
<p>Have we learned nothing from 2000 years of the New Testament. Or, for those who bitterly oppose the moral teaching of Jesus Christ having any role in modern society, have we learned nothing from twelve years of Harry Potter? We cannot take the magic of Hogwarts into the real world, but Dumbledore and his second chances have a lot to teach us.</p>
<p>In an ideal world, all politicians would all be perfect all of the time. But in the real world, it&#8217;s not just that not all politicians will be perfect, but that all people will be imperfect. Again, that&#8217;s something we could have picked up from faith, or children&#8217;s <a href="http://martinturner.org.uk/tag/literature/" class="st_tag internal_tag" rel="tag" title="Posts tagged with literature">literature</a>, if we didn&#8217;t have the perspicacity to spot it ourselves. In the actual world we live in, it is far more important to have politicians with the integrity to change what they do when they realise they are doing it wrong, than to have politicians who have never yet been found out. It is exactly the quality of &#8216;carrying on until you are found out&#8217; which is the essence of sleaze, although it is usually then followed by &#8216;denying it as much as possible&#8217;.</p>
<p>In this, Caroline Spelman has also shown that she is different from the sleaze brigade: she has voluntarily referred the matter to the Parliamentary Commissioner for Standards.</p>
<p>It may seem rather surprising that I am defending a Tory here. But my fear is that Caroline Spelman will go the way of Estelle Morris — someone who didn&#8217;t feel she was good enough at her job to stay in politics (despite some quite substantial evidence to the contrary), and left, making way for those who really were not good enough. If Caroline Spelman stands down as Tory Party Chair, and subsequently as an <a href="http://martinturner.org.uk/tag/mp/" class="st_tag internal_tag" rel="tag" title="Posts tagged with MP">MP</a>, she will not be replaced by a Tory who is more <a href="http://martinturner.org.uk/tag/honourable/" class="st_tag internal_tag" rel="tag" title="Posts tagged with honourable">honourable</a>, merely by a someone who is better at <em>appearing</em> <a href="http://martinturner.org.uk/tag/honourable/" class="st_tag internal_tag" rel="tag" title="Posts tagged with honourable">honourable</a>.<br />
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		<title>Ming picks the right moment to do the honourable thing</title>
		<link>http://martinturner.org.uk/2007/10/15/ming-picks-the-right-moment-to-do-the-honourable-thing/</link>
		<comments>http://martinturner.org.uk/2007/10/15/ming-picks-the-right-moment-to-do-the-honourable-thing/#comments</comments>
		<pubDate>Mon, 15 Oct 2007 20:30:58 +0000</pubDate>
		<dc:creator>Martin Turner</dc:creator>
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		<description><![CDATA[BBC NEWS &#124; Politics &#124; In full: Sir Menzies resignationWith false-election fever out of the way, Menzies Campbell has picked the right moment to bring questions about his leadership to an end. There is now the maximum amount of time for a leadership contest and for the new leader to to take control of the [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://news.bbc.co.uk/1/hi/uk_politics/7046010.stm">BBC NEWS | Politics | In full: Sir Menzies resignation</a>With false-<a href="http://martinturner.org.uk/tag/election/" class="st_tag internal_tag" rel="tag" title="Posts tagged with election">election</a> fever out of the way, Menzies Campbell has picked the right moment to bring questions about his <a href="http://martinturner.org.uk/tag/leadership/" class="st_tag internal_tag" rel="tag" title="Posts tagged with leadership">leadership</a> to an end. There is now the maximum amount of time for a <a href="http://martinturner.org.uk/tag/leadership/" class="st_tag internal_tag" rel="tag" title="Posts tagged with leadership">leadership</a> contest and for the new leader to to take control of the political agenda before a 2009 <a href="http://martinturner.org.uk/tag/election/" class="st_tag internal_tag" rel="tag" title="Posts tagged with election">election</a> — which is really the earliest that a damaged Brown will dare go to the polls.Menzies Campbell could have chosen to stay on and fight off the critics. He has chosen not to, for the sake of the party. All credit to him. Ming has not impressed everyone as leader, but he has done a great deal to take the party forward. Once the dust has settled, he will be remembered warmly. <br />
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		<title>How to write about a novel</title>
		<link>http://martinturner.org.uk/martins-notes/what-is-a-novel/how-to-write-about-a-novel/</link>
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		<pubDate>Tue, 02 Oct 2007 00:26:28 +0000</pubDate>
		<dc:creator>Martin Turner</dc:creator>
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		<description><![CDATA[If you&#8217;re studying English literature at university, you almost certainly have to face the task which you didn&#8217;t face at A-level: read a novel fairly quickly, and write about it without a term of teaching. And it&#8217;s a daunting task. Novels, as I&#8217;ve mentioned elsewhere, are the dominant form of modern English literature. In fact, [...]]]></description>
			<content:encoded><![CDATA[<p>If you&#8217;re studying English <a href="http://martinturner.org.uk/tag/literature/" class="st_tag internal_tag" rel="tag" title="Posts tagged with literature">literature</a> at university, you almost certainly have to face the task which you didn&#8217;t face at A-level: read a <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a> fairly quickly, and write about it without a term of teaching. And it&#8217;s a daunting task.<br />
<hr />Novels, as I&#8217;ve mentioned elsewhere, are the dominant form of modern English <a href="http://martinturner.org.uk/tag/literature/" class="st_tag internal_tag" rel="tag" title="Posts tagged with literature">literature</a>. In fact, they are so dominant that we don&#8217;t (outside of <a href="http://martinturner.org.uk/tag/literature/" class="st_tag internal_tag" rel="tag" title="Posts tagged with literature">literature</a> studies, prize lists, and Radio 4 discussions) refer to them as novels at all. Rather, we hear about: &#8220;The new bestseller&#8221;, &#8220;His fascinating thriller&#8221;, &#8220;the epic adventure&#8217;, &#8220;this science-<a href="http://martinturner.org.uk/tag/fiction/" class="st_tag internal_tag" rel="tag" title="Posts tagged with fiction">fiction</a> classic&#8221;, &#8220;the latest romance from…&#8221;, and so on. Perhaps, rather than disparaging this, we should learn from it. Like the course of true love, the pathway of a <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a> from pen (or processor) to public ne&#8217;er runs smooth, and we should at least reflect on the process by which it got there. In fact, we might do well to consider a number of issues of this kind before considering the content of the <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a> itself. Allow me to offer some suggestions:
<ul id="null">
<li>Process — what do we know about the author&#8217;s creative and literary process? Will this affect the way we approach the <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a>, or is it irrelevant in this case?</li>
<li>Publisher — did the publisher or another intermediary have a role in shaping the <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a>? Again, is this important?</li>
<li>Public — how did the public at the time respond to the <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a>, and did this have an impact on the <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a>?</li>
<li>Posterity — how have people since responded to the <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a>, and does this change its importance?</li>
<li>Politics, philosophy and polemic — is the author informed by a particular world-view, and are they seeking to use the <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a> to impose this upon us</li>
<li>Priorities — what does the author think is important in a <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a> (if we know this?)</li>
</ul>
<ul id="null">
<li>Purpose — collecting the aforementioned together, why did the author write?</li>
</ul>
<p> <br />
<hr /> Picking these up together, let&#8217;s consider for a moment arguably the two greatest novelists of the 19th century, Charles Dickens and George Eliot. We know a great deal about both of them, since they wrote many letters and were much discussed in their day. — In terms of <span class="Apple-style-span" style="font-weight: bold">process</span>, both Dickens and Eliot wrote novels which were published chapter by chapter, week by week in magazines. This was a common process then, but would be unusual now. Dickens did not generally write a chapter until the previous one had been published, and fairly frequently changed the later chapters based on reaction to earlier chapters. While <a href="http://martinturner.org.uk/tag/writing/" class="st_tag internal_tag" rel="tag" title="Posts tagged with writing">writing</a> <span class="Apple-style-span" style="font-style: italic">Dombey and Son</span>, he received a letter stating &#8220;I cannot believe that Edith can be Carker&#8217;s mistress&#8221;. Dickens concurred, and changed the planned plot accordingly. George Eliot, on the other hand, preferred not to allow publication to begin until she had completed the final chapter. —Dickens&#8217;s <span class="Apple-style-span" style="font-weight: bold">publisher</span> also had a profound effect on his <a href="http://martinturner.org.uk/tag/writing/" class="st_tag internal_tag" rel="tag" title="Posts tagged with writing">writing</a>, demanding, and getting, an alternative, more ambiguous ending to <span class="Apple-style-span" style="font-style: italic">Great Expectations</span>, although, thankfully, we also have the original ending to compare it with. — Both Eliot&#8217;s and Dickens&#8217;s <a href="http://martinturner.org.uk/tag/writing/" class="st_tag internal_tag" rel="tag" title="Posts tagged with writing">writing</a> were highly successful with the <span class="Apple-style-span" style="font-weight: bold">public</span>, greeted with the same kind of enthusiasm (though on a smaller scale) that the publication of a Harry Potter <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a> has been met with in our century. — <span class="Apple-style-span" style="font-weight: bold">Posterity</span> has been extremely kind to George Eliot. Although <span class="Apple-style-span" style="font-style: italic">Daniel Deronda</span> is rarely read, most of her books have been filmed and televised, and critics find few flaws in them. Dickens has remained popular as an author, but some aspects of Dickens &#8211; particularly his hypocrisy and his sentimentality &#8211; are now looked down on. Referring to <span class="Apple-style-span" style="font-style: italic">The Old Curiosity Shop</span>, with it&#8217;s famously sentimental death scene, Oscar Wilde later quipped: &#8220;it would take a heart of stone not to laugh at the death of Little Nell&#8221;. On the other hand, Dickens has been filmed and televised more often than any other author except Shakespeare, and is quite properly regarded as Britain&#8217;s greatest novelist. An extremely useful series of books for understanding the posterity of a <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a> &#8211; which is to say, the responses of its readers over decades or hundreds of years &#8211; is the <span style="font-style: italic" class="Apple-style-span">Critical Heritage Series</span>. These books, with titles like <span style="font-style: italic" class="Apple-style-span">Thomas Hardy, the Critical Heritage</span> are compendiums of key criticism or comment from contemporary readers up to the present. — Dickens has often been seen as a reformer in terms of his <span class="Apple-style-span" style="font-weight: bold">politics, philosophy and polemic</span>, although the issue of hypocrisy might brand him as someone who preferred pontification to action. He presided over a magazine promoting Victorian values, but was himself an adulterer. One of his daughters, who was a don at Oxford, was once shown an early photograph of her father. After a moment of reflection, she is reported to have said: &#8220;What a <span class="Apple-style-span" style="font-style: italic">wicked</span> man.&#8221; George Eliot, on the other hand, should be understood at least partly from her philosophy. From a strict evangelical upbringing, she moved into a form of atheism and translated Strauss&#8217;s <span class="Apple-style-span" style="font-style: italic">Life of Jesus</span>, which as aimed at &#8216;demythologising&#8217; the gospels. However, later in life she wrote that she found herself closer to her natural enemies (the evangelicals) and further from her natural allies (atheists and liberals). This tension &#8211; with a strong fondness for and affection for evangelicalism which is seldom found in other Victorian writers &#8211; is clear in <span class="Apple-style-span" style="font-style: italic">Adam Bede</span> and <span class="Apple-style-span" style="font-style: italic">Silas Marner</span>.—This is probably reflected in George Eliot&#8217;s <span class="Apple-style-span" style="font-weight: bold">priorities</span> as a writer, and it is clear that she is concerned to weigh the moral character of each of her characters. Dickens&#8217;s priorities are best illustrated in a letter written to him by Wilkie Collins, in which he is counselled: &#8220;Make &#8216;em laugh, make &#8216;em cry, but above all, make &#8216;em wait&#8221;.—With two such great writers, who wrote over a long period of time, there is no single <span class="Apple-style-span" style="font-weight: bold">purpose</span> which is apparent. Dickens clearly wrote, at least in part, to be popular, famous, rich and successful, but his need to write in order to achieve this became less as time went on. His father had been imprisoned in the Marshalsea debtors&#8217; prison, and Dickens himself had been forced to work ten hour days at the age of 12. This explains to some extent his desire for financial security early in his career, but his direct contact with poverty and the debtors&#8217; prison also accounts for much of his social commentary and real anger at the condition of those who fell on the wrong side of the law. George Eliot wrote under a pseudonym at least to some extent so that her work would be taken more seriously than that of an obviously female author. She sets out a manifesto of a sort in <span class="Apple-style-span" style="font-style: italic">Silly Novels by Lady Novelists</span>, in which she criticises trivial and ridiculous plots, and praises European Realism.<br />
<hr />All of this is very good, but it does not actually take us into the <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a> itself &#8211;  though it is probably fair to say that there is no profound discussion of a <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a> without at least some understanding of the novelist. At their most basic level, novels have three things: <span class="Apple-style-span" style="font-weight: bold">story</span>, <span class="Apple-style-span" style="font-weight: bold">characters</span>, and <span class="Apple-style-span" style="font-weight: bold">context,</span> and anything more ambitious than the most prosaic chronicle also has a <span class="Apple-style-span" style="font-weight: bold"><a href="http://martinturner.org.uk/tag/writing/" class="st_tag internal_tag" rel="tag" title="Posts tagged with writing">writing</a> style</span>, often encapsulated in the narratorial voice. Context is the space in which the <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a> takes place. At its simplest, <span class="Apple-style-span" style="font-weight: bold">context</span> is established by description, as in the first chapter of Thomas Hardy&#8217;s <span class="Apple-style-span" style="font-style: italic">Return of the Native</span>, where the heath is described in great detail. Hardy&#8217;s novels are hugely visual. In Tolstoy&#8217;s <span class="Apple-style-span" style="font-style: italic">War and Peace</span>, though, a great deal of context is established by recounting the histories of the characters and of the circles they move in, and in direct comparison of one character with another. A <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a> must have a <span class="Apple-style-span" style="font-weight: bold">story</span> of some kind, though this is not necessarily the same as the plot. A story can be very simple &#8211; the dean of a cathedral who suffers from tuberculosis of the spine decides to build a spire, against the advice of his colleagues, whose construction is so colossal that it destroys the lives of all those involved (William Golding&#8217;s <span class="Apple-style-span" style="font-style: italic">The Spire</span>). We will come back to this plot in a moment. Equally, it can be highly complex. Dickens plotted his novels in vast spider webs of interrelating characters. A thriller or a detective <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a> depends for its effect on a convoluted plot, while a sophisticate espionage <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a>, on the lines of LeCarré&#8217;s <span class="Apple-style-span" style="font-style: italic">Tinker, Tailor, Soldier, Spy</span> may leave some of the readers baffled at the first reading as to what actually happened. Traditionally, the <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a> takes <span class="Apple-style-span" style="font-weight: bold">characters</span> and tests them, or allows them to develop, in situations which are outside the normal compass of their lives. However, for example in Jane Austen&#8217;s <span class="Apple-style-span" style="font-style: italic">Persuasion</span>, this testing and development may be extremely subtle, by comparison, say, with the boys on the island in William Golding&#8217;s <span class="Apple-style-span" style="font-style: italic">Lord of the Flies</span>. Characters have more or less detailed lives and personalities in novels. In many examples of genre-<a href="http://martinturner.org.uk/tag/fiction/" class="st_tag internal_tag" rel="tag" title="Posts tagged with fiction">fiction</a>, characters may be little more than figures, fulfilling a role governed by the plot. However, most often we know the characters best through their voices, so it would be appropriate to describe a novelist&#8217;s <span class="Apple-style-span" style="font-style: italic">eye</span> for description, and <span class="Apple-style-span" style="font-style: italic">ear</span> for character. Thomas Hardy has a magnificent eye for description, but, except in <span class="Apple-style-span" style="font-style: italic">The Mayor of Casterbridge</span>, his characters tend to be wooden, or worse, inconsistent in order to suit the needs of the plot. The most striking example of this is when Tess murders Alec in <span class="Apple-style-span" style="font-style: italic">Tess of the D&#8217;Urbervilles</span>, and shows no remorse or guilt, despite the fact that everything else we know about her is that she is an amiable and compassionate young woman. George Eliot has a magnificent ear for character. We can tell which character is speaking in Eliot without having to have it spelled out. However, the descriptions, though competent, are less gripping. Dickens, of all novelists, has the most complete sense of both. It&#8217;s been pointed out frequently that we know more about the minor characters in Dickens than we do about the leading figures in the novels of many other writers. <span class="Apple-style-span" style="font-weight: bold"><a href="http://martinturner.org.uk/tag/writing/" class="st_tag internal_tag" rel="tag" title="Posts tagged with writing">Writing</a> style</span><span class="Apple-style-span" style="font-style: italic"> </span><span class="Apple-style-span" style="font-weight: normal">may be more or less overt. The plot of William Golding&#8217;s </span><span class="Apple-style-span" style="font-style: italic">The Spire</span> is hard to discern because it is written in a stream-of-consciousness style which presents everything through the eyes of dean Jocelin, who, apart from being driven mad by his spinal tuberculosis, has very little understanding of what is really going on and his own part in it.  <br />
<hr /> What then, to say about a <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a>? To my mind, the author begins with an intention. William Golding, in <span class="Apple-style-span" style="font-style: italic">The Hot Gates</span>, explains that he was sure he had a publishable <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a> on his hands when, after several failures, he worked out the plot of <span class="Apple-style-span" style="font-style: italic">Lord of the Flies</span>. There is nothing dishonourable in wanting to be published. Joseph Conrad, in discussing <span class="Apple-style-span" style="font-style: italic">The Secret Agent</span>, said he wanted to work out how a series of apparently unconnected events on the same day, reported in the newspaper, could have had a single cause. The author clearly has to have a readership in mind, and he (or she) has to come up with something to say to them which will achieve his intention &#8211; whether that be to see the futile brutalities of the Belgian Congo brought to an end (Joseph Conrad&#8217;s <span class="Apple-style-span" style="font-style: italic">Heart of Darkness</span> was part of this movement), or to simply persuade people to buy the book. Finally, the author must put pen to paper, and tell the story, getting enough of the character, context and story down in a suitable style to keep the reader reading, but not at such length that the book becomes unpublishable.  <br />
<hr /> In <a href="http://martinturner.org.uk/tag/writing/" class="st_tag internal_tag" rel="tag" title="Posts tagged with writing">writing</a> about the book, you can&#8217;t really start with the author&#8217;s intention: that would be presumptuous. Rather, you can only start at the other end with the words, going on to analyse the key characters, observe the context and the way it relates to the characters, and noting how the story develops. If you look at this in the light of the <a href="http://martinturner.org.uk/tag/writing/" class="st_tag internal_tag" rel="tag" title="Posts tagged with writing">writing</a> style, you should be able to discern the key messages or themes that the author is trying to bring out. If you can observe this in the light of the likely audience &#8211; and you should be able to pick up clues to what that audience was &#8211; then you should finally be able to conclude by discussing likely authorial intention, and, from there, assessing the success and impact of the <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a>, in which case your structure would be something like this:
<ul id="null">
<li> How the story is told
<ul id="null">
<li><a href="http://martinturner.org.uk/tag/writing/" class="st_tag internal_tag" rel="tag" title="Posts tagged with writing">writing</a> style</li>
<li>context</li>
<li>characters</li>
<li>plot/storyline</li>
</ul>
</li>
<li>What themes and underlying messages emerge</li>
<li>Who the author was <a href="http://martinturner.org.uk/tag/writing/" class="st_tag internal_tag" rel="tag" title="Posts tagged with writing">writing</a> to
<ul id="null">
<li>Generally a lot of information is contained in the <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a> about the assumptions the writer is making about their readers</li>
<li>Background information can help to fill this out</li>
<li>In critiquing a <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a> from another time or another country, it is particularly important to understand the intended reader, because assumptions from your time and your culture can be quite misleading</li>
</ul>
</li>
<li>What the author was trying to achieve, and how well it was achieved</li>
</ul>
<p> Of course, in real life, you rarely get asked to just critique a <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a>. You are much more likely to be asked to answer a question. The really good questions often focus on authorial intention, which gives you a way in. Sometimes they focus on the reaction of the original readers, perhaps by comparing it with the assessment of later critics. The less good questions will tend to dive straight in at the themes or messages level, which can make it hard to reach a point any deeper than that. The very least helpful questions are the ones which limit you to analysing one or two characters, or commenting on the <a href="http://martinturner.org.uk/tag/writing/" class="st_tag internal_tag" rel="tag" title="Posts tagged with writing">writing</a> style, or the description, or, heaven help you, on the story line. However. When faced with a question, there is only one thing to be done: informed by all the background, and by what you know of the story, characters, context and style, what you have been able to deduce about the audience, and your surmises about authorial intention &#8212; with all that in mind <span class="Apple-style-span" style="font-weight: bold">ANSWER THE QUESTION</span>. No examiner ever gave points for answering a different question from the one set.<br />
</p>
<p><a class="a2a_dd addtoany_share_save" href="http://www.addtoany.com/share_save">Share/Save</a> </p>
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		<title>How to be widely read</title>
		<link>http://martinturner.org.uk/martins-notes/how-to-be-widely-read/</link>
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		<pubDate>Fri, 28 Sep 2007 00:18:31 +0000</pubDate>
		<dc:creator>Martin Turner</dc:creator>
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		<description><![CDATA[Most teenagers thinking about doing English at university are encouraged to be &#8216;widely read&#8217;. The trouble is, the kind of thing that you might imagine makes you widely read may be of no help at all. Reading the complete works of Terry Pratchett , for example, may be very enjoyable, but will not impress anyone [...]]]></description>
			<content:encoded><![CDATA[<p>Most teenagers thinking about doing English at university are encouraged to be &#8216;widely read&#8217;. The trouble is, the kind of thing that you might imagine makes you widely read may be of no help at all. Reading the complete works of Terry Pratchett , for example, may be very enjoyable, but will not impress anyone later on.Actually, there are about 100 books which get referred to again and again in critical writings, in other books, and in discussions about <a href="http://martinturner.org.uk/tag/literature/" class="st_tag internal_tag" rel="tag" title="Posts tagged with literature">literature</a>. Reading just these books will make you &#8216;widely read&#8217;, whereas not reading them — no matter how ever many other books you&#8217;ve read, and no matter how eloquent you are in making a case for your favourite books — will not. Lists like these are always debateable, and I&#8217;m happy to have the debate.<br />
<hr />
<hr />
I&#8217;ve put together an <a href="http://astore.amazon.co.uk/marorguk-21">Amazon page</a> of all these books, just in case you have any difficulties getting them.</p>
<hr />The English Core <span></p>
<li>There are just a handful of authors who make up the &#8216;core&#8217; of English <a href="http://martinturner.org.uk/tag/writing/" class="st_tag internal_tag" rel="tag" title="Posts tagged with writing">writing</a>.</li>
<li><strong>Hamlet, Othello, King Lear and Macbeth</strong>Everyone needs to read some Shakespeare — or, better, see it in the theatre or at least on video. The quartet of &#8216;Great Tragedies&#8217; are these four. All of them are instantly gripping, and represent some of the finest <a href="http://martinturner.org.uk/tag/writing/" class="st_tag internal_tag" rel="tag" title="Posts tagged with writing">writing</a> in English. They are also referred to incessantly by later writers.</li>
<li><strong>Paradise Lost</strong>Milton&#8217;s <em>Paradise Lost</em> is reckoned to be the greatest epic poem in English. It&#8217;s the inspiration behind Philip Pullman&#8217;s <em>His Dark Materials</em> trilogy, and has been pilfered for quotations which have become the titles of other books.</li>
<li><strong>General Prologue to the Canterbury Tales</strong>The oldest thing which most later authors refer to is Chaucer&#8217;s Canterbury Tales. The General Prologue is the introduction, and fascinating and entertaining stuff it is. Try it in the original language — it really is not that difficult. Try also at least one of the tales in a modern translation. People talk incessantly about he Miller&#8217;s Tale, but the Wife of Bath&#8217;s Tale may do more for you.</li>
<li><strong>Pride and Prejudice</strong>Endlessly refilmed for television, Jane Austen&#8217;s <em>Pride and Prejudice</em> is much, much more than a costume drama. This beautifully observed and exquisitely paced <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a> manages to be thrilling while living in a world where action is rare.</li>
<li><strong>Middlemarch</strong>George Eliot&#8217;s Middlemarch (George Eliot was the pseudonym of Mary Anne Evans) is probably the greatest Victorian <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a>.</li>
<li><strong>Sons and Lovers</strong>I personally don&#8217;t like D H Lawrence, but no-one can deny how influential he has been. Sons and Lovers is grim, gritty, and brings a realism to the <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a> which simply did not exist before Lawrence.</li>
<li><strong>Great Expectations</strong>Charles Dickens is England&#8217;s greatest novelist, and <em>Great Expectations</em> , as well as being mercifully short, is probably his most perfect <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a>. It&#8217;s been regrettably mined for critical appreciation pieces in English lessons, but don&#8217;t let that put you off.</li>
<li><strong>The Mayor of Casterbridge</strong>. Does Thomas Hardy really deserve a place on the English core list? Probably not, but, if he does, it is for the <em>Mayor of Casterbridge</em> , which brings all of his best qualities and none of his failings.</li>
<li><strong>Nostromo. </strong>Joseph Conrad was a Pole who — after a racy life as a seaman — chose to write in English. Nostromo gets my vote as his greatest <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a>, and one of the greatest novels in the language. ;</li>
<hr />
<li><span style="font-weight: bold" class="Apple-style-span">Classical core</span></li>
<li>
<ul id="null">
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Metamorphoses</strong>. Ovid&#8217;s <em>Metamorphoses</em> are stories of how one thing changed into another. Some seem quite trite, others are profound.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Iliad</strong>. Considered by some (not me) to be the first <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a>, the <em>Iliad</em> formed the basis for the lamentable film <em>Troy</em> , and has impacted on pretty much every writer you could name.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Odyssey</strong>. Homer&#8217;s sequel to the <em>Iliad</em> , the <em>Odyssey</em> introduces the anti-hero to <a href="http://martinturner.org.uk/tag/literature/" class="st_tag internal_tag" rel="tag" title="Posts tagged with literature">literature</a>. It&#8217;s probably a better read than the Iliad</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Lysistrata</strong>. Aristophanes wrote a large number of comic plays, including <em>the Birds</em> and <em>the Frogs</em> , but <em>Lysistrata</em> , which is about a sex-strike by women, is the one that gets mentioned most often</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Oresteia</strong>. At the other end of the scale, Aeschylus&#8217;s <em>Oresteia</em> is a magnificent mythological tragedy. Good to read, even better to see performed.</li>
<hr /></ul>
<p><span style="white-space: pre" class="Apple-tab-span"></span><strong>Key novels</strong>. Four novels stick out as key to the history of the <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a></p>
<ul id="null">
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Robinson Crusoe</strong><br />
Regarded by some as the first true <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a>, <em>Robinson Crusoe</em> by Daniel Defoe is also one of the most referenced and cited books ever written — frequently by people who have never actually read it.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Tristram</strong> <strong>Shandy</strong><br />
Laurence Sterne&#8217;s <em>Life and Opinions of Tristram</em> <em>Shandy</em> is a very odd <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a>, which is the forerunner of many narrative and literary devices practiced later on. Samuel Johnson did not like it. Make up your own mind.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Gulliver&#8217;s</strong> <strong>Travels</strong><br />
Another claim to be the first true <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a> is for Jonathan Swift&#8217;s <em>Gulliver&#8217;s</em> <em>Travels</em> . Forget everything you thought you knew about Lilliput. This is not a children&#8217;s story, it is high political satire.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Ulysses</strong><br />
The most difficult <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a> in English is arguably James Joyce&#8217;s <em>Ulysses</em> . The other contenders for this prize are other novels written by the same author.<span style="white-space: pre" class="Apple-tab-span"> </span></p>
<hr /><strong>Philosophy and polemic</strong>. Some philosophical and polemic books have had a massive impact on later writers. They are mostly mercifully short, and good value to read, especially as they can be got for free on the internet.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Il</strong> <strong>Principe</strong><br />
Machiavelli&#8217;s <em>The Prince</em> ( <em>Il</em> <em>Principe)</em> is nowhere near as Machiavellian as you might imagine.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>The Art of War</strong><br />
Sun Tzu&#8217;s <em>Art of War</em> is talked about a lot by very recent writers. It&#8217;s Chinese military strategy from a very long time ago.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Protagoras</strong><br />
Any of Plato&#8217;s accounts of his mentor Socrates is worth reading. Fascinating, engrossing, and as fresh as if were written yesterday.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Republic or Utopia</strong><br />
Plato&#8217;s own ideas have had an enormous impact on everyone since. For the record, most of them were wrong, but that&#8217;s never dulled their popularity.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Consolation of Philosophy</strong><br />
Massive in the Middle Ages, Boethius&#8217;s <em>Consolation of Philosophy</em> was translated into English by Alfred the Great, Geoffrey Chaucer and Elizabeth the first. A modern translation may do you better. This was the most important work of philosophy to the medieval and Tudor world, although these days it would probably be considered to be &#8216;having a philosophical outlook on life&#8217; rather than philosophy proper.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>The Wealth of Nations</strong><br />
Adam Smith&#8217;s <em>The Wealth of Nations</em> is considered to be the foundation of all modern economic thinking. Have the people who talk about it all actually read it? You decide.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>The Communist Manifesto</strong><br />
History has proved communism to be largely unworkable. Don&#8217;t let that put you off Karl Marx&#8217;s <em>Communist Manifesto</em> , though, which is a literary masterpiece.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>The Origin of Species</strong><br />
Darwin&#8217;s <em>Origin of Species</em> will not give you the modern perspective on evolution-theory. Nonetheless, it&#8217;s influence on later thought is incalculable</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Aristotle &#8211; Poetics</strong><br />
Aristotle, the student of Plato, and teacher of Alexander the Great, set the agenda for most of the literary ideas that followed.</li>
<li>
<hr /><strong>Genre <a href="http://martinturner.org.uk/tag/fiction/" class="st_tag internal_tag" rel="tag" title="Posts tagged with fiction">Fiction</a></strong><br />
Genre <a href="http://martinturner.org.uk/tag/fiction/" class="st_tag internal_tag" rel="tag" title="Posts tagged with fiction">fiction</a> is a slightly unkind term for groups of books which are highly popular, but not really considered &#8216;<a href="http://martinturner.org.uk/tag/literature/" class="st_tag internal_tag" rel="tag" title="Posts tagged with literature">literature</a>&#8217;. These include detective novels, fantasy, science-<a href="http://martinturner.org.uk/tag/fiction/" class="st_tag internal_tag" rel="tag" title="Posts tagged with fiction">fiction</a>, historical novels, thrillers, and spy novels. Assessments of this kind deserve challenging, and some genres cross over into mainstream <a href="http://martinturner.org.uk/tag/fiction/" class="st_tag internal_tag" rel="tag" title="Posts tagged with fiction">fiction</a>.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Lord of the Rings</strong><br />
Heading up the list as one of the most popular works of <a href="http://martinturner.org.uk/tag/fiction/" class="st_tag internal_tag" rel="tag" title="Posts tagged with fiction">fiction</a> ever, JRR Tolkien&#8217;s the <em>Lord of the Rings</em> is a great tale and an extraordinary work of imagination. It has flaws, though (especially the structure), so don&#8217;t ever tell anyone that you think it&#8217;s the best book ever written (even if you believe it is). This would mark you out as a lightweight.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Tinker, tailor, soldier, spy</strong><br />
There&#8217;s nothing lightweight about John LeCarré&#8217;s <em>Tinker, Tailor, Soldier, Spy</em> , which, with its sequels the <em><a href="http://martinturner.org.uk/tag/honourable/" class="st_tag internal_tag" rel="tag" title="Posts tagged with honourable">Honourable</a> Schoolboy</em> and <em>Smiley&#8217;s People</em> , probably represents the pinnacle of espionage <a href="http://martinturner.org.uk/tag/fiction/" class="st_tag internal_tag" rel="tag" title="Posts tagged with fiction">fiction</a>, both in terms of its realism, and the purity of its art.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Ivanhoe</strong><br />
My tutor AOJ Cockshutt once told me that he had, very early in his career, been at a dinner with the philosopher Bertrand Russell. Russell asked him &#8220;what is the worst book ever written&#8221;. &#8220;Anything by Sir Walter Scott&#8221;, Cockshutt replied. He did point out to me that he no longer supported this view. Walter Scott produced a huge collection of books, massively popular in his own day, and still regarded as &#8216;classics&#8217;. You could read <em>Rob Roy</em> , but <em>Ivanhoe</em> is probably still the best known and most cited.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Hound of the Baskervilles</strong><br />
Sir Arthur Conan Doyle put the detective story on the map, and the <em>Hound of the Baskervilles</em> is probably his greatest work. Ever detective writer since has had to live in the shadow of Mr Sherlock Holmes.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Kim<br />
</strong>Rudyard Kipling&#8217;s <em>Kim</em> is an espionage story set in the British Raj in India. There&#8217;s really nothing else like it, even in Kipling&#8217;s own Indian tales.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Murder must advertise</strong><br />
Dorothy L Sayers&#8217;s detective Lord Peter Wimsey reached his pinnacle in <em>Murder must Advertise</em> .</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Tiger in the Smoke</strong><br />
Margery Allingham began as very much a second-string player behind the queens of crime Agatha Christie and Dorothy L Sayers. But this thriller lifted her into new territory.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Murder on the Orient Express</strong><br />
If you are going to read anything by Agatha Christie, you might as well read the one that everyone knows the name of. Don&#8217;t get sucked into to reading endless Christies, though.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>The Left Hand of Darkness</strong><br />
In terms of science-<a href="http://martinturner.org.uk/tag/fiction/" class="st_tag internal_tag" rel="tag" title="Posts tagged with fiction">fiction</a>, Ursula LeGuin&#8217;s <em>Left Hand of Darkness</em> is about as perfect and perfectly challenging as you can get.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Fahrenheit 451</strong><br />
Ray Bradbury&#8217;s <em>Fahrenheit 451</em> is another science-<a href="http://martinturner.org.uk/tag/fiction/" class="st_tag internal_tag" rel="tag" title="Posts tagged with fiction">fiction</a> work that has had a huge audience outside of SF readers, and has become a symbol of many things to many people.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>The Third Man</strong><br />
Graham Greene&#8217;s <em>The Third Man</em> is a novella he wrote to help prepare for the screenplay of the film of the same name, a classic of serious espionage <a href="http://martinturner.org.uk/tag/writing/" class="st_tag internal_tag" rel="tag" title="Posts tagged with writing">writing</a>.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Brighton Rock</strong><br />
Another Graham Greene which gets referred to again and again. Greene&#8217;s reputation as a master storyteller is sealed by the very first line. Go on, read it.<span style="white-space: pre" class="Apple-tab-span">	</span></p>
<hr /><strong>Much cited texts</strong><br />
Some books get referenced an awful lot, even when they are minor, or unpleasant, or flawed, or simply not the best the author wrote.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Heart of Darkness</strong><br />
Joseph Conrad&#8217;s short <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a> <em>Heart of Darkness</em> is a compelling journey into dissolution and evil. The title captured the imagination, even though Conrad himself wrote greater novels later.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>1066 and all that</strong><br />
The classic work of daft-history, Sellers and Yeatman&#8217;s <em>1066 and all that</em> is unlikely to help you much with your historical knowledge. Nonetheless, it&#8217;s one of those books that gets referenced a lot.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>The 39 Steps</strong><br />
John Buchan wrote a lot of books, many of them better than <em>The 39 Steps</em> . For some reason, this particular thriller caught the imagination. If you enjoy it, read the sequels <em>Greenmantle</em> and <em>Mr Standfast</em> , which are better and more complete novels.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>1984</strong><br />
Grim and nasty, I thoroughly did not enjoy reading George Orwell&#8217;s <em>1984</em> , and I never intend to read it again. It has lots of flaws, including the whole-sale printing of political tracts among the pages. Nonetheless, this is one of the most talked about and referenced books of all time. Big brother, double-think, newspeak, and lots of other concepts began here.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Animal Farm</strong><br />
Almost as nasty, but mercifully shorter, Orwell&#8217;s allegory of Communist Russia <em>Animal Farm</em> has also given rise to a whole vocabulary of common terms.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Romeo and Juliet</strong><br />
One of Shakespeare&#8217;s lesser plays, <em>Romeo and Juliet</em> is easily one of his two most famous. It set the agenda (perhaps regrettably) for every romantic tragedy since.<span style="white-space: pre" class="Apple-tab-span"> </span></p>
<hr /><strong>International</strong><br />
British readers tend to avoid foreign books. But there are some authors and books you really should not avoid.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>The Name of the Rose</strong><br />
Umberto Eco&#8217;s luminous and illuminating <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a> is one of the most enjoyable books of the last fifty years. It&#8217;s hugely erudite, massively informative, and warmly recommended.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Outlaws of the Marsh</strong><br />
This classic Chinese <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a> is hard to come by. It doesn&#8217;t get talked about much, but is considered to be one of the four greatest works in Chinese.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>The Count of Monte Cristo</strong><br />
Alexander Dumas had a whole team working for him researching his historical novels. <em>The Count of Monte Cristo</em> has probably got the best plot, and certainly gets referenced a lot.</li>
<li><strong>War and Peace</strong><br />
Enormous and enormously good, Leo Tolstoy&#8217;s <em>War and Peace</em> might seem a mountain when you first start it. Very hard to put down, though, and very, very important.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Le Petit Prince</strong><br />
Antoine de Saint Exupery&#8217;s whimsical and slightly surreal story is a must-read. For some reason, people give you loads of credit for reading it. It&#8217;s very short, and very strange.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Le deuxième</strong> <strong>sexe</strong><br />
Want to understand feminism? Did Simone de Beauvoir understand it? More questions than answers in this seminal book. If you can actually read it in French, people will think you are a real intellectual. Otherwise, read it as <em>The Second Sex</em> in English.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>A hero of our time</strong><br />
Lermontov&#8217;s <em>A hero of our time</em> puts the anti-hero at the heart of everything. Whatever you do, don&#8217;t try to be like the main character Pechorin.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Divine Comedy and Inferno</strong><br />
Dante&#8217;s <em>Divine Comedy</em> and <em>Inferno</em> are two of the greatest books ever written. That&#8217;s it really. And they influenced pretty much everything written since.<span style="white-space: pre" class="Apple-tab-span"> </span></p>
<hr /><strong>Children&#8217;s <a href="http://martinturner.org.uk/tag/literature/" class="st_tag internal_tag" rel="tag" title="Posts tagged with literature">literature</a></strong><br />
Children&#8217;s <a href="http://martinturner.org.uk/tag/literature/" class="st_tag internal_tag" rel="tag" title="Posts tagged with literature">literature</a> is taken a lot more seriously these days than it once was.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Alice in Wonderland/Through the Looking Glass</strong><br />
Bizarre, surreal, and full of mathematical puzzles, there&#8217;s a real case for saying that Lewis Carroll&#8217;s books are not for children at all. In any case, they have given rise to a whole series of cultural references, and should not be missed.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Five Children and It</strong><br />
E Nesbitt&#8217;s <em>Five Children and It</em> , on the other hand, is one of the archetypal children&#8217;s books, and set the agenda for most of what followed.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Peter Pan</strong><br />
J M Barrie wrote and published dozens of versions of <em>Peter Pan</em> . Something going on there. Any version will do.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Tale of Mrs Tiggywinkle</strong><br />
Beatrix Potter is taken very seriously by people who know.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>The Wind in the Willows</strong><br />
Kenneth Grahame created a remarkable world which is taken remarkably seriously by serious academics.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Winnie the Pooh</strong><br />
Odd stuff A A Milne. Very important for cultural references, but is he laughing with the children, or at them?</li>
<li> <strong>The Box of Delights<br />
</strong>John Masefield&#8217;s delightfully simple and yet bizarrely complex seequel to <em>The Midnight Folk</em></li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>The Lion, the Witch and the Wardrobe</strong><br />
CS Lewis&#8217;s masterpiece is quite possibly one of the best books ever written. Worth reading the entire series, although the second, <em>Prince Caspian</em> , probably isn&#8217;t quite as good as the others.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>The Hobbit</strong><br />
Another masterpiece which can claim massive importance, <em>the Hobbit</em> is virtually flawless, and is certainly a better work of <a href="http://martinturner.org.uk/tag/literature/" class="st_tag internal_tag" rel="tag" title="Posts tagged with literature">literature</a> than JRR Tollkien&#8217;s <em>Lord of the Rings</em> , although it is slighter in its themes.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>The Sword in the Stone</strong><br />
TH White&#8217;s first <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a> in <em>The Once and Future King</em> is delightful. The sequels are darker and more adult: prepare for a shock if you decide to read the entire cycle.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Harry Potter and the Goblet of Fire</strong><br />
Everyone is talking about Harry Potter. It will be years before people really come to a conclusion about how good it really was. <em>The Goblet of Fire</em> , though, which is the turning point in the series, gets my vote as the most satisfying and complete.<span style="white-space: pre" class="Apple-tab-span"> </span></p>
<hr /><strong>Humour</strong><br />
Many of the other books on this list have elements of humour, but these books are predominantly humourous.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Three men in a boat</strong><br />
Jerome K Jerome&#8217;s warm and self-revealing <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a> is one of the funniest things ever written, and never equalled in its own genre, even by Jerome himself — the sequel, <em>Three men on the bummel</em> , is nowhere near as good.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>The complete Saki</strong><br />
Hector Hugh Munro wrote as <em>Saki</em> . His style is darkly ironic. Is it humour? Maybe not, in some cases. But almost all of his short stories are superb.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>The inimitable Jeeves</strong><br />
PG Wodehouse&#8217;s unflappable butler Jeeves , paired with the idiotic but loveable Wooster , is one of the key comic characters of modern <a href="http://martinturner.org.uk/tag/writing/" class="st_tag internal_tag" rel="tag" title="Posts tagged with writing">writing</a>. Again, don&#8217;t get sucked into reading the entire series — they get rather samey once you&#8217;ve read a few of them.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Cold Comfort Farm</strong><br />
Stella Gibbons devastatingly satirised an entire genre with <em>Cold Comfort Farm</em> . It&#8217;s still funny, even if you have only the barest notion of what she is satirising.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Under Milk Wood</strong><br />
Dylan Thomas&#8217;s radio play <em>Under Milk Wood</em> is one of the most sustained feats of poetic language ever to make it onto the airwaves.<span style="white-space: pre" class="Apple-tab-span"> </span></p>
<hr /><strong>Everyone&#8217;s talking about</strong><br />
There are books which people fall in love with when they read them, and can&#8217;t stop talking about. Not everyone likes them, but people who do can be quite fanatical.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Wuthering</strong> <strong>Heights</strong><br />
Elemental love on the Yorkshire moors, as Cathy and Heathcliffe establish themselves as the anti-Romeo and Juliet for modern times.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Wordsworth Preludes</strong><br />
Do you like Wordsworth? Personally I&#8217;m not a fan, but people who do like him absolutely love him. The <em>Preludes</em> always confused me, because they are complete poems, not preludes to anything else.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Jane Eyre</strong><br />
Charlotte Brontë&#8217;s mad-woman-in-the-attic <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a> inspired an entire century of feminist critique. Slightly more arty than her sister&#8217;s <em>Wuthering</em> <em>Heights</em> , but less passionate.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Browning: My last Duchess</strong><br />
I never really cared for Browning until I actually read some. This stuff is brilliant, but read it carefully, because it may not be saying what you think it says.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Tennyson Idylls of the King</strong><br />
Tennyson is often packaged with Browning, but the two are really not the same at all. Browning is dramatic, ironic, sardonic. Tennyson is romantic, idealistic, sensual.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Tess</strong> <strong>of the D&#8217;Urbervilles</strong><br />
Is this a good book or not? Thomas Hardy&#8217;s most famous <a href="http://martinturner.org.uk/tag/novel/" class="st_tag internal_tag" rel="tag" title="Posts tagged with novel">novel</a> is arguably <em>Tess</em> <em>of the D&#8217;Urbervilles</em> . Make up your own mind, but do ask yourself &#8220;is this really credible&#8221; at key moments.<span style="white-space: pre" class="Apple-tab-span"> </span></p>
<hr /><strong>Often mentioned (seldom read?)</strong><br />
Some books seem to be referenced an awful lot by people who don&#8217;t appear to have much actual knowledge of the text.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Dr Faustus</strong><br />
Marlowe&#8217;s <em>Dr Faustus</em> is well worth reading. It&#8217;s a play, so quite short, has some great lines, and is quite scary even as print rather than performance.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Arcadia</strong><br />
Sir Philip Sydney is a bright renaissance figure who gets mentioned a lot more than he actually gets read. <em>Arcadia</em> is his best known work, and probably also his best.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>The Art of Courtly Love</strong><br />
Anyone <a href="http://martinturner.org.uk/tag/writing/" class="st_tag internal_tag" rel="tag" title="Posts tagged with writing">writing</a> about the middle-ages is likely to reference Andreas Capellanus&#8217;s classic work. Read it once, and you will become one of the select group who actually have.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>The Romance of the Rose</strong><br />
The greatest medieval European romance. Endlessly referenced by later medieval writers. Largely unread today. Read a bit and see if you like it.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>The Picture of Dorian Gray</strong><em><br />
The Picture of Dorian Gray</em> is almost as famous as its creator Oscar Wilde. Like the picture, which was best left unregarded , you may decide the actual book is best left unread. Read it anyway, and you will be one step ahead of all the people who reference it but haven&#8217;t read it.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Morte</strong> <strong>D&#8217;Arthur</strong><br />
Oh, this is tedious. Well, some of the time. Thomas Mallory collected everything he could find to put into this bumper King Arthur collection. He quite obviously did not understand all of his material. However, the actual death of Arthur section is very good indeed. Perhaps read that bit, and then decide if you want to read any more.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Seven Pillars of Wisdom</strong><br />
Lawrence of Arabia&#8217;s bizarre and baffling account of his adventures. <a href="http://martinturner.org.uk/tag/fiction/" class="st_tag internal_tag" rel="tag" title="Posts tagged with fiction">Fiction</a>, fact, or myth? Who can say. Well worth reading, though.<span style="white-space: pre" class="Apple-tab-span"> </span></p>
<hr /><strong>Modernism</strong><br />
The twentieth century was the century of modernism, which set out to challenge the past, or, quite often, simply deny it ever existed. Want to &#8216;get&#8217; modernism? Just read these three books.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>The Waste Land</strong><br />
TS Eliot&#8217;s <em>The Waste Land</em> is deliberately difficult (a key characteristic of modernism), despairing (another characteristic), heavily faked (yes, that too), and a masterpiece of language, feeling and poetry.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>To the Lighthouse</strong><br />
Virginia Woolf. I have to say I&#8217;m not a fan, but my old tutor Julia Briggs, among others, considered her to be hugely important, and largely persuaded the rest of the literary world that this was the case. Virginia Woolf is now firmly ensconced in the modern canon, and you ignore her at your peril.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Lord of the Flies</strong><br />
This is a really, really nasty story. William Golding turned the comfortable Victorianism of <em>The Coral Island</em> on its head with this modernist retake. Actually I&#8217;m a big fan of Golding , but I do <em>not</em> like this book. Nonetheless, it is a must-read.<span style="white-space: pre" class="Apple-tab-span"> </span></p>
<hr /><strong>Mythology</strong><br />
A lot of <a href="http://martinturner.org.uk/tag/literature/" class="st_tag internal_tag" rel="tag" title="Posts tagged with literature">literature</a> references mythology. Unfortunately, mythology is quite hard to come by in easily packaged forms. Roger Lancelyn Green, though, made a series of collections, and these are an ideal way in.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Tales of Greek Heroes</strong><br />
Roger Lancelyn Green&#8217;s retelling of pretty much all of Greek mythology. Written for children, but researched for adults.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Myths of Norsemen</strong><br />
The same treatment for Norse mythology. Superb.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Tales of Ancient Egypt</strong><br />
And again for ancient Egypt. Actually I&#8217;m not as well-up on Egyptian mythology as on the Greeks and the Norse, so I&#8217;m assuming this is as good as the others.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Tales of King Arthur</strong><br />
And the same again for King Arthur. This one really is very, very good.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>The Mabinogion</strong><br />
Welsh folk-tales in their own words. You don&#8217;t need a retelling for this, just a modern translation. Powerful stuff.</li>
<li><span style="white-space: pre" class="Apple-tab-span"></span><strong>Beowulf</strong><br />
The earliest English epic. You need to get this in translation, as you will not be able to bluff your way in Anglo-Saxon as can sometimes be done with Middle English.</li>
</ul>
</li>
<hr /> </span><br />
</p>
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	<li><a href="http://martinturner.org.uk/martins-notes/art-and-society/the-pathetic-fallacy-and-the-collapse-of-art/" title="The pathetic fallacy and the collapse of art (22 November 2007)">The pathetic fallacy and the collapse of art</a> (0)</li>
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</ul>

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		<title>A &#8216;Christian&#8217; party that Jesus would not have voted for</title>
		<link>http://martinturner.org.uk/2007/04/22/a-christian-party-that-jesus-would-not-have-voted-for/</link>
		<comments>http://martinturner.org.uk/2007/04/22/a-christian-party-that-jesus-would-not-have-voted-for/#comments</comments>
		<pubDate>Sun, 22 Apr 2007 23:16:03 +0000</pubDate>
		<dc:creator>Martin Turner</dc:creator>
				<category><![CDATA[Faith]]></category>
		<category><![CDATA[Christian]]></category>
		<category><![CDATA[confidence]]></category>
		<category><![CDATA[election]]></category>
		<category><![CDATA[God]]></category>
		<category><![CDATA[honourable]]></category>
		<category><![CDATA[MP]]></category>
		<category><![CDATA[Westminster]]></category>

		<guid isPermaLink="false">http://www.martinturner.org.uk/2007/04/22/a-christian-party-that-jesus-would-not-have-voted-for/</guid>
		<description><![CDATA[BBC NEWS &#124; Scotland &#124; Christianity is on party&#8217;s agenda The (so-called) &#8216;Scottish Christian Party&#8217; is contesting the Scottish elections with a mixture of old-fashioned Calvinism and modern right-of-centre politics. Great Britain â€” and especially Scotland â€” has a long and honourable tradition of Christians in public life, but, unlike much of mainland Europe, there [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://news.bbc.co.uk/1/hi/scotland/6576677.stm">BBC NEWS | Scotland | Christianity is on party&#8217;s agenda</a></p>
<p>The (so-called) &#8216;Scottish Christian Party&#8217; is contesting the Scottish elections with a mixture of old-fashioned Calvinism and modern right-of-centre politics. Great Britain â€” and especially Scotland â€” has a long and <a href="http://martinturner.org.uk/tag/honourable/" class="st_tag internal_tag" rel="tag" title="Posts tagged with honourable">honourable</a> tradition of Christians in public life, but, unlike much of mainland Europe, there is no tradition of ostensibly Christian political parties. It is true that some Christians â€” in common with many voters of all faiths and none â€” have lost confidence in mainstream political parties. But has the time come for specifically Christian parties to call on the support committed believers, or should Christians seek to involve themselves in mainstream parties? And what about this particular &#8216;Christian&#8217; party?<br />
<span id="more-95"></span></p>
<p>Christianity is not a political faith. The early Christians were a tiny minority, frequently persecuted, often despised, who had almost no political influence for the first three centuries of their existence (which is another reason why the <em>Da Vinci Code</em> is entirely implausible, but that&#8217;s another story). This contrasts sharply with the context of the Old Testament, which was written down in a culture which expected the people of God to be ruled by the word of God. For this reason, when Christians have been in a position to establish rules for how society operates, they have often either tried to separate the church from the state â€” recognising the non-political nature of the New Testament â€” or they have looked specifically to the Old Testament for inspiration.</p>
<p>However, even if it were desirable, it is simply not possible to lift instructions for a semi-nomadic life in Palestine&#8217;s early Iron Age and put them in a 21st century context. In fact, even by the time of the New Testament this was already a problem, and Jesus Christ frequently pointed out that the religious leaders of the day had applied a literalistic interpretation of the letter of Old Testament law, and missed the spirit of that law.</p>
<p>The Scottish Christian Party is clearly in the &#8216;Inspired by Old Testament law&#8217; camp. There is a lot of sense in some of this. Faced with the increasing burden of stress, they propose the restoration of a day of rest. Faced with the increasing burden of consumer debt, they propose the cancellation of unpaid debt after seven years. to some extent, this reflects some of the proposals of Ronald Sider in &#8216;Rich Christians in an Age of Hunger&#8217;, which was one of the key influences on the Jubilee 2000 campaign.</p>
<p>But the Old Testament is silent on many other issues. For example, the SCP policy on Venture Capital is:<br />
<code>3. Venture Capitalism<br />
The Scottish Christian Party supports local wealth generation with an emphasis on local entrepreneurs rather than handouts to multinational firms.  We will encourage joint ownership schemes where venture capital rather than grants would be made available by local government.  Profits from successful ventures would be ploughed back into new ventures.  We will support incentives including business rates holidays and business  mentoring for start-ups. </code></p>
<p>This may well be a very sound policy â€” but it is not in any sense a &#8216;Christian&#8217; policy. On Tourism, their policies include:<br />
<code>Visitscotland as an organisation should be downsized and reformed as a small co-ordinating body with direction and control coming from the ATBs. (Area Tourist Boards) </code></p>
<p>There are a good many other policies like this. Some are eminently sensible â€” concentration on renewable energy, management of fisheries â€” but they are not in any sense &#8216;Christian&#8217;.</p>
<p>More controversially:<br />
<code>9. Prisons<br />
The Scottish Christian Party believes that the much needed extra prison capacity should be purchased from developing countries for the purpose of catering for Scotlandâ€™s medium Security Prisons.  This should take the form of building state of the art prison facilities in developing countries that wish to host Scottish Prisons.<br />
</code></p>
<p>Aside from being lifted (in reverse) straight from the plot of the Rowan Atkinson film <em>Johnny English</em>, this particular policy reveals something strange and disturbing about SCP. It reveals a contempt for the rest of the world which parallels the pronouncements of the British National Party. This is completely at odds with the teaching of Jesus Christ, and the tenor of the rest of the New Testament, including St Paul&#8217;s famous pronouncement &#8220;in Christ there is no Jew nor Greek, no slave nor free, no male nor femaleâ€¦&#8221; ((Galatians 3:28)). </p>
<p>The Jubilee Debt campaign has shown the impact that taking Christian faith into the political arena can have. Equally, this year we are reminded of the work of William Wilberforce in applying Christian principles to oppose, and eventually abolish, the slave trade. There are committed Christians in all the mainstream political parties, and their actions are informed and often guided by their faith.</p>
<p>However, for a single party to effectively claim a monopoly on Christian politics, and to call on Christians to support it on this basis is a serious problem. It is not only bad for politics, it is also bad for the Christian faith.</p>
<p>It is bad for politics because it makes a false claim on the loyalty of Christians. The use of the word &#8216;Chrstian&#8217; in its title urges believers to vote for it, without the need for scrutiny of its policies. </p>
<p>It is bad for Christianity because it makes a large number of implicit â€” and false â€” claims about how Christians should think and behave. Although Christians do not live in the Old Testament world, they are called on to make sense of their lives in the light of the Old Testament (and the New Testament). But there is not one, universal, blueprint for how this should be done. In its one-sided application of a very few Old Testament principles, SCP attempts to side-step a Christian&#8217;s own conscience and reason. Rather worse, by &#8216;filling in the gaps&#8217; with perhaps (or perhaps not) emininently sensible policies, SCP creates confusion about what is Christian and what is merely plausible. Worse still, it claims an authority for these policies by association. An authority they in no sense deserve.</p>
<p>It is a matter of deep regret that politicians in all parties have lost the respect of many voters. But if Christians want to change that, and to have people in the Westminster, Scottish, Welsh and European parliaments, who deserve their respect, then they need to get involved in mainstream politics. In a nation where just one person in tend attends church regularly, a Christian party is never going to form a government, or even be a key partner in a coalition. </p>
<p>What is more important â€” and this has been proved over the last centuy in countries with a tradition of &#8216;Christian&#8217; political parties â€” assigning the name &#8216;Christian&#8217; to what is no more than a collection of purely human policy and prejudie does violent discredit to the Gospel.<br />
</p>
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